I conducted extensive research on my memories of rain and the sea, turning them into several small paintings before merging all these memories into this large piece. I chose thin tracing paper because my memories are fragile—blurred and fragmented. When creating this work, I didn’t use any preliminary sketches; instead, I layered different colors and lines meditatively each day. My perception of each memory changed daily, so by the time I completed this painting, it felt as though I had finished writing a story.