Critical Reflection
3. Space and Touch
My parents are both strict and rational architects, and their profession and mindset have profoundly influenced my perception of three-dimensional space. I often ask myself: why am I here, in this particular space? The space I inhabit symbolizes a "happy space," a sanctuary within the vast universe. In this small corner of the world, my physical body and consciousness reside within a box-like enclosure. Regardless of its location, this space becomes the site where all happiness and sorrow unfold, leaving indelible marks over time. In my imagination, space gradually transcends its physical form, transforming into a repository of memories and emotions.
As Gaston Bachelard asserts in The Poetics of Space, “Space is not simply a geometric entity but a field that holds dreams and memories.” The meaning of space does not stem solely from its objective shape; rather, it is shaped by our experiences, emotions, and memories associated with it. A home is not merely an abstract architectural concept; it is a "container of experiences," a "place of refuge" that embodies our longing for safety, shelter, and belonging. Every door, every corner, and even the tiniest cracks in the walls carry stories tied to those who inhabit the space.
Reading this book repeatedly has led me to new reflections on my artistic practice. I aim to reveal the internal dimensions of space through my art, constructing multi-dimensional spaces centered on memory. Spaces in memory are often vague and fragmented, much like Bachelard's observation: "The house of memory is a state of mind, constantly oscillating between reality and imagination." In my work, I plan to use various media, such as translucent materials, hazy colors, and layered imagery, to illustrate the complexity and depth of memory. Through these creations, I hope to evoke in viewers a connection to their own spatial memories.
Moreover, Bachelard emphasizes that "the home is a microcosm of the world" and suggests that space allows us to perceive the depth and breadth of time. Inspired by this idea, I intend to explore how painting can convey the passage of time within space, juxtaposing the ephemeral with the eternal in a single piece. On one hand, I will use dynamic brushstrokes to depict the sudden eruption of rainstorms, symbolizing the fleeting nature of time and the fragility of space. On the other hand, I will employ soft and delicate techniques to express the enduring quality of memories, creating a sense of emotional resonance and stillness.
When viewers engage with my work, I hope they will immerse themselves in the interplay of space and memory, experiencing the unique sensory perceptions elicited by different materials. Through this, they may step into my spaces and memories, uncovering a deeper understanding of their own relationships with time, space, and emotion.
Reference:
Bachelard, Gaston. The Poetics of Space. Beacon Press, 1994.
